Post by Okwes on Jun 6, 2007 8:45:31 GMT -5
Hupa Indian Tribe
Part 1 of 2
Hupa. An Athabascan tribe formerly occupying the valley of Trinity river, California from south fork to its junction with the Klamath, including Hupa valley. They were first mentioned by Gibbs in 1852; a military post was established in their territory in 1855 and maintained until 1892; and a reservation 12 miles square, including nearly all the Hupa habitat, was set apart in Aug. 1864. The population in 1888 was given as 650; in 1900, 430; in 1905, 412. They are at present self-supporting, depending on agriculture and stock raising. When they first came in contact with the whites, in 1850, the Hupa were all under the control of a chief called Ahrookoos by the Yurok, whose authority is said to have extended to other peoples southward along Trinity river. The position of chief depended on the possession of wealth, which usually remained in the family, causing the chieftainship to descend from father to son. In feasts and dances a division of the Hupa into two parts is
manifest, but this division seems to have no validity outside of religious matters.
The tribe occupied the following permanent villages: Cheindekhotding, Djishtangading, Haslinding, Honsading, Howungkut, Kinchuwhikut, Medilding,
Miskut, Takimilding, Tlelding, Toltsasding, and Tsewenalding. Powers ave Chailkutkaituh, Wissomanchuh, and Misketoiitok, which have not been identified with any of the foregoing; Gibbs , on information furnished by the Yurok, gave Wangullewutlekauh, Wangullewatt, Sehachpeya, and ( Tashuanta,Sokeakeit (Sokchit), and Meyemma.
The houses of the Hupa were built of cedar slabs set on end, the walls being 4 ft high on the sides and rising to more than 6 ft at the ends to accommodate the slope of the roof, inclosing a place about 20 ft square, the central part of which was excavated to form the principal chamber, which was about 12 ft square and 5 ft deep. The entrance was a hole 18 or 20 in. in diameter and about a foot above the ground. This was the storehouse for the family goods and the sleeping place of the women. The men occupied sweat houses at night. The Hupa depended for food on the deer and elk of the mountains, the salmon and lamprey of the river, and the acorns and other vegetal foods growing plentifully about them. They are noted for the beautiful twined baskets produced by the women and the fine pipes and implements executed by the men. The yew bows they used to make, only about 3 ft long, strengthened with sinew fastened to the back with sturgeon glue, were effective up to 75
yards and could inflict serious wound at 100 yards.
Their arrows, made of syringa shoots wound with sinew, into which foreshafts, of juneberry wood were inserted feathered with three split hawk feathers and pointed with sharp heads of obsidian, flint, bone, or iron, sometimes passed entirely through a deer. The hunter, disguised in the skin of the deer or elk, the odor of his body removed by ablution and smoking with green fir boughs, simulated so perfectly the movements of the animal in order to get within bowshot that a panther sometimes pounced upon his back, but withdrew when he felt the sharp pins that, for the very purpose of warding off such an attack, were thrust through the man's hair gathered in a bunch at the back of the neck.
The Hupa took deer also with snares of a strong rope made from the fiber of the iris, or chased them into the water with dogs and pursued them in canoes. Meat was roasted before the fire or on the coals or incased in the stomach and buried in the ashes until cooked, or was boiled in water-tight baskets by dropping in hot stones. Meat and fish were preserved by smoking. Salmon were caught in latticed weirs stretched across the river or in seines or poundnets, or were speared with barbs that detached but were made fast to the pole by lines. Dried acorns were ground into flour, leached in a pit to extract the bitter taste, and boiled into a mush.
The men wore ordinarily a breechclout of deerskin or of skins of small animals joined together, and leggings of painted deerskin with the seam in front hidden by a fringe that hung from the top, which was turned down at the knee. Moccasins of deerskin with soles of elk hide were sometimes worn. The dance robes of the men were made of two deerskins sewn together along one side, the necks meeting over the left shoulder and the tails nearly touching the ground. Panther skins were sometimes used. The hair was tied into two clubs, one hanging down on each side of the head, or into one which hung behind. Bands of deerskin, sometimes ornamented with wood peckers' crests, were worn about the head in dances, and occasionally feathers or feathered darts were stuck in the hair. The nose was not pierced, but in the ears were often worn dentalium shells with tassels of woodpeckers' feathers. A quiver of handsome skin filled with arrows was a part of gala dress, and one of plain
buckskin or a skin pouch or sack of netting was carried as a pocket for small articles.
Women wore a skirt of deerskin reaching to the knees, with a long, thick fringe hanging below and a short fringe at the waist. When soiled it was washed with the soap plant. At the opening of the skirt in front an apron was worn underneath. The skirts worn in dances were ornamented with strings of shell beads, pieces of abalone shell, and Hakes of obsidian fastened to the upper and of shells of pine nuts inserted at intervals in the lower fringe. The apron for common wear was made of long strands of pine-nut shells and braided leaves attached to a belt. The dance aprons had strands of shells and pendants cut from abalone shells. Small dentalium and olivella shells, pine-nut shells, and small black fruits were strung for necklaces. A robe of deerskin or of wildcat fur was worn with the hair next to the body as a protection against the cold and in rainy weather with the hair side out. The head covering was a cap of fine basket work, which protected the forehead from the
carrying strap whereby burdens and baby baskets were borne. Women, except widows, wore their hair long and tied in queues that hung down in front of the ears, and were ornamented with strips of mink skin, sometimes covered with woodpeckers' crests, and shell pendants, and sometimes perfumed with stems of yerba buena. From their ears hung pendants of abalone shell attached to twine. All adult women were tattooed with vertical black marks on the chin and sometimes curved marks were added at the corners of the mouth.
The imagination of the Hupa has peopled the region east, west, south, and above with mortals known as Kihunai. The underworld is the abode of the dead. Their creator or culture hero, Yimantuwingyai, dwells with Kihunai across the ocean toward the north. A salmon feast is held by the southern division in the spring and an acorn feast by the northern division in the fall. They formerly celebrated three dances each year: the spring dance, the white-deerskin dance, and the jumping dance. They have a large and varied folklore and many very interesting medicine formulas.
WOMAN'S SKIRT
Buckskin fringed with glass trade beads and abalone shells
Hupa or Yurok
Klamath River area, California
NOTES FROM "THE NORTH AMERICAN INDIAN" BY ES CURTIS
VOLUME-13 THE HUPA
LANGUAGE: Athapascan
LOCATION: California, Hupa valley,Trinity river in Humboldt county
DRESS: Men wore a deerskin loincloth and deerskin moccasins with elk hide soles. Women wore a knee length skirt of deerskin, slit at the front and ornamented and a bowl shaped cap..
DWELLINGS: The dwelling was a rectangular structure, made of cedar posts and poles and split cedar planks. The roof was truncated.
The above gravures are HUPA HOUSE and HUPA MAN
RELIGION /CEREMONIES: Hupa religious practices are founded on the belief that ages ago the earth was inhabited by a race of preternaturals in human form. All ceremonials, and innumerable acts of everyday life, are attended by the muttered repetition of myths, usually quite brief, accounting for the origin of the myth or act.The principal ceremonies were the Jumping Dance and the White Deerskin Dance to guard the public heath and help crops.
QUOTES FROM "THE NORTH AMERICAN INDIAN": "The Hupa, a shoot from that wide-wandering stock, the Athapascan, are unique among California Indians in that they occupy a reservation which includes within its boundaries nearly all of the land that they once controlled."
The above gravures are HUPA WOMAN and WATCHING FOR SALMON
"In material culture the Hupa far surpass the Indians of central and northern California. We here pass into a specialized cultural area of northwestern California, which shows marked similarities to that of the North Pacific coast, with great stress laid on the acquisition of wealth as the necessary and only basis of rank. Woodworking becomes of importance, salmon is a food not less staple than acorns, slavery in a modified form is an institution, ceremonial life is highly developed."
The above gravures are HUPA PURSES AND MONEY and HUPA WOMAN SHAMAN
"With their high regard for wealth the Hupa had a system of valuation more exact than that of other California Indians, except the other tribes of the northwest area. The longer dentalia,"tinkyehit"(four piece), passed for five dollars each in early trade."Hiketukuthwe", shorter by a mere fraction of an inch, were worth about a third as much. "Chwolohit"(five piece) were equal to a dollar each, and "hostanhit" (six piece) were less than two inches long and valued at twenty-five to fifty cents each, according to the ability of the trader. The shells were strung on cords, point to point and base to base, and spirally wound with narrow strips of fish-skin. From the base of those at the ends of the strings a little tuft of red woodpecker-feathers protruded. As the strings were uniformly about two feet in length, it follows the the number of dentalia per string varied according to the size of the shells."
BASKET
32.3 cm dia.
Hupa orYurok, early 20th century
This basket was made using the half-twist overlay technique, a typical method employed by the peoples of the Klamath River area.
Many Hupa shamans were women, and among their neighbors, the Yurok and the Karok, as well as among the more distant Wiyot on the coast, male shamans were rare. Hupa shamans acquired the power to cure disease by dreaming and dancing. They were credited with the ability to inflict mysterious sickness by sorcery, and only they could relieve the victim of such magic.
Each summer a substantial structure of this kind is thrown across the river, the southern and the northern division of the tribe alternating. The weir remains in place until the spring freshets carry it away. A fisherman stands on each of several platforms erected below an equal number of openings in the weir, and lowers and draws his dip net at random. As the construction of a weir is a communal undertaking, the catch is divided each evening according to the requirements of the various families.
Because of the dearth of redwood in their territory, the Hupa purchased all their canoes from the neighboring Yurok.
As the run of spring salmon occurs at a season when the river is too high for the construction of a weir, they are taken in dip nets from platforms erected above favorable eddies.
The Jumping Dance was an annual ceremony for averting pestilence. The head dress worn by the dancers was a wide band of deerskin with rows of red woodpecker crests and a narrow edging of white deer hair sewn on it. A deerskin robe was worn as a kilt, and each performer displayed all the shells and beads he possessed or could borrow. In the right hand was carried a straw stuffed cylinder with a slit like opening from end to end, and object the significance of which is unknown to the modern Hupa.
This is an excellent example of the gala costume of Hupa women. The deerskin skirt is worn about the hips and meets in front, where the opening is covered by a similar garment. Both are fringed and heavily beaded, and the strands of the apron are ornamented with the shells of pine nuts.
DENTALIUM NECKLACE AND ELKHORN PURSES
Elk antler and dentalium shell beads
Hupa
Klamath River area, California, North America
Dentalium shells were imported from the Nootka of Vancouver Island, and were considered a great treasure among the Klamath River peoples.
Elders Corner
The elders of the Hoopa Valley Tribe have always played an integral role in the overall community atmosphere and wellness of the families of the valley. Historically the Hupa people considered all relatives a member of the family, and it was the role of the oldest people to care for the young children while the adults a nd older children performed the day-to-day activities that were required to make the family units flourish. Elders were responsible for passing on the rich oral history, language, and tradition to the younger generations. Many of the younger generations were taught to respect the advice and wisdom of the elders of our community, and that tradition continues today. In modern days the elders play a much similar role in our culture. They are looked to for advise in traditional matters that appear in our Tribal Court system, and in both economic and environmental development planning through a Cultural Committee. They still play a vital part in the individual
families throughout the valley in both caring for the young children as well as preparing them for young adulthood.
Minnie McWilliams
Hoopa Tribal member Minnie McWilliams, age 87 has been a lifetime resident of the Hoopa Valley and despite hardship, said her life has been very good. Minnie was born on January 1, 1916 to the late Ned and Louisa Jackson. She had 6 siblings- three brothers and three sisters, two of whom (Jimmy Jackson, and Charlotte Colegrove) are still living in Hoopa.
Despite being raised in Hoopa, Minnie still claims her Redwood Creek Tribe, from her mothers side. Minnie attended the Indian boarding school in Hoopa until she was 11 years old. She then moved to Riverside, California, where she attended high school at the Sherman Institute. Thats where Minnie became interested in cosmetology. She said she and her friends would always do each others hair in the beauty parlor at Sherman. Upon graduating high school, she took her board exam in Los Angeles. After working as a cosmetologist for several years, Minnie decided to come home to help take care of her father.
My father was blind, explained Minnie. We (brothers and sisters) used to take him to the doctor in Eureka to try to help him get his sight back. Soon after the move Minnie decided to go back to work. The Hoopa native went from making people look beautiful as a cosmetologist, to welding at a shipyard in Eureka. Minnie said welding isnt just a mans job, and she took great pride in her work. I would show off my work to some of the men there, said Minnie.
While working as a welder Minnie became pregnant and was forced to quit, something she did not want to do. Minnie moved back to Hoopa to take care of her daughter. She said she was staying at home almost all the way to the top of Bald Hill. When her daughter was only three months old, she grew very ill. Minnie took her to the hospital, but said it was too late. Her daughter had passed on.
The Hoopa elder had a total of eight children in her lifetime, but now has only one left- her son Arthur Jones, who was raised in Hoopa as well. I always wanted kids, said Minnie and now I have a lot of grand kids. It makes me happy visiting with them. The kind-hearted woman has nine grandchildren and seven great grandchildren, with two more on the way. Minnie, who was named after her aunt, was proud to say that one of her great-granddaughters is named after her.
Family was and is the most sacred thing in Minnies life. She spoke of when her mother Louisa, was still living. My mother was beautiful. She had long, curly hair and she always looked beautiful, Minnie described. Despite her fathers blindness, Minnie recalled his kind heart. She said he used to walk out of the shed when she was little, and he would cut kindling and wood and bring it into the house to keep the family warm.
Minnie also spoke of her grandmother, the late Mary Ann Jackson, a woman she described as a little woman with a lot of love. She also reminisced about a friend and classmate Ruby Jarnaghan, and the late Boots Masten.
Kindness is a perfect word to describe Minnie. She has even sent money to help feed children in need from other countries. If I see somebody that needs help, I help them, she said.
Traditional Village Sites
Tish-Tang
Fish-On
Hostler Field
Among the Wildlife
The pictures from this and all future issues will be uploaded to Yahoo..
This is mainly for those who get the digest version which doesn't have any pictures
Part 1 of 2
Hupa. An Athabascan tribe formerly occupying the valley of Trinity river, California from south fork to its junction with the Klamath, including Hupa valley. They were first mentioned by Gibbs in 1852; a military post was established in their territory in 1855 and maintained until 1892; and a reservation 12 miles square, including nearly all the Hupa habitat, was set apart in Aug. 1864. The population in 1888 was given as 650; in 1900, 430; in 1905, 412. They are at present self-supporting, depending on agriculture and stock raising. When they first came in contact with the whites, in 1850, the Hupa were all under the control of a chief called Ahrookoos by the Yurok, whose authority is said to have extended to other peoples southward along Trinity river. The position of chief depended on the possession of wealth, which usually remained in the family, causing the chieftainship to descend from father to son. In feasts and dances a division of the Hupa into two parts is
manifest, but this division seems to have no validity outside of religious matters.
The tribe occupied the following permanent villages: Cheindekhotding, Djishtangading, Haslinding, Honsading, Howungkut, Kinchuwhikut, Medilding,
Miskut, Takimilding, Tlelding, Toltsasding, and Tsewenalding. Powers ave Chailkutkaituh, Wissomanchuh, and Misketoiitok, which have not been identified with any of the foregoing; Gibbs , on information furnished by the Yurok, gave Wangullewutlekauh, Wangullewatt, Sehachpeya, and ( Tashuanta,Sokeakeit (Sokchit), and Meyemma.
The houses of the Hupa were built of cedar slabs set on end, the walls being 4 ft high on the sides and rising to more than 6 ft at the ends to accommodate the slope of the roof, inclosing a place about 20 ft square, the central part of which was excavated to form the principal chamber, which was about 12 ft square and 5 ft deep. The entrance was a hole 18 or 20 in. in diameter and about a foot above the ground. This was the storehouse for the family goods and the sleeping place of the women. The men occupied sweat houses at night. The Hupa depended for food on the deer and elk of the mountains, the salmon and lamprey of the river, and the acorns and other vegetal foods growing plentifully about them. They are noted for the beautiful twined baskets produced by the women and the fine pipes and implements executed by the men. The yew bows they used to make, only about 3 ft long, strengthened with sinew fastened to the back with sturgeon glue, were effective up to 75
yards and could inflict serious wound at 100 yards.
Their arrows, made of syringa shoots wound with sinew, into which foreshafts, of juneberry wood were inserted feathered with three split hawk feathers and pointed with sharp heads of obsidian, flint, bone, or iron, sometimes passed entirely through a deer. The hunter, disguised in the skin of the deer or elk, the odor of his body removed by ablution and smoking with green fir boughs, simulated so perfectly the movements of the animal in order to get within bowshot that a panther sometimes pounced upon his back, but withdrew when he felt the sharp pins that, for the very purpose of warding off such an attack, were thrust through the man's hair gathered in a bunch at the back of the neck.
The Hupa took deer also with snares of a strong rope made from the fiber of the iris, or chased them into the water with dogs and pursued them in canoes. Meat was roasted before the fire or on the coals or incased in the stomach and buried in the ashes until cooked, or was boiled in water-tight baskets by dropping in hot stones. Meat and fish were preserved by smoking. Salmon were caught in latticed weirs stretched across the river or in seines or poundnets, or were speared with barbs that detached but were made fast to the pole by lines. Dried acorns were ground into flour, leached in a pit to extract the bitter taste, and boiled into a mush.
The men wore ordinarily a breechclout of deerskin or of skins of small animals joined together, and leggings of painted deerskin with the seam in front hidden by a fringe that hung from the top, which was turned down at the knee. Moccasins of deerskin with soles of elk hide were sometimes worn. The dance robes of the men were made of two deerskins sewn together along one side, the necks meeting over the left shoulder and the tails nearly touching the ground. Panther skins were sometimes used. The hair was tied into two clubs, one hanging down on each side of the head, or into one which hung behind. Bands of deerskin, sometimes ornamented with wood peckers' crests, were worn about the head in dances, and occasionally feathers or feathered darts were stuck in the hair. The nose was not pierced, but in the ears were often worn dentalium shells with tassels of woodpeckers' feathers. A quiver of handsome skin filled with arrows was a part of gala dress, and one of plain
buckskin or a skin pouch or sack of netting was carried as a pocket for small articles.
Women wore a skirt of deerskin reaching to the knees, with a long, thick fringe hanging below and a short fringe at the waist. When soiled it was washed with the soap plant. At the opening of the skirt in front an apron was worn underneath. The skirts worn in dances were ornamented with strings of shell beads, pieces of abalone shell, and Hakes of obsidian fastened to the upper and of shells of pine nuts inserted at intervals in the lower fringe. The apron for common wear was made of long strands of pine-nut shells and braided leaves attached to a belt. The dance aprons had strands of shells and pendants cut from abalone shells. Small dentalium and olivella shells, pine-nut shells, and small black fruits were strung for necklaces. A robe of deerskin or of wildcat fur was worn with the hair next to the body as a protection against the cold and in rainy weather with the hair side out. The head covering was a cap of fine basket work, which protected the forehead from the
carrying strap whereby burdens and baby baskets were borne. Women, except widows, wore their hair long and tied in queues that hung down in front of the ears, and were ornamented with strips of mink skin, sometimes covered with woodpeckers' crests, and shell pendants, and sometimes perfumed with stems of yerba buena. From their ears hung pendants of abalone shell attached to twine. All adult women were tattooed with vertical black marks on the chin and sometimes curved marks were added at the corners of the mouth.
The imagination of the Hupa has peopled the region east, west, south, and above with mortals known as Kihunai. The underworld is the abode of the dead. Their creator or culture hero, Yimantuwingyai, dwells with Kihunai across the ocean toward the north. A salmon feast is held by the southern division in the spring and an acorn feast by the northern division in the fall. They formerly celebrated three dances each year: the spring dance, the white-deerskin dance, and the jumping dance. They have a large and varied folklore and many very interesting medicine formulas.
WOMAN'S SKIRT
Buckskin fringed with glass trade beads and abalone shells
Hupa or Yurok
Klamath River area, California
NOTES FROM "THE NORTH AMERICAN INDIAN" BY ES CURTIS
VOLUME-13 THE HUPA
LANGUAGE: Athapascan
LOCATION: California, Hupa valley,Trinity river in Humboldt county
DRESS: Men wore a deerskin loincloth and deerskin moccasins with elk hide soles. Women wore a knee length skirt of deerskin, slit at the front and ornamented and a bowl shaped cap..
DWELLINGS: The dwelling was a rectangular structure, made of cedar posts and poles and split cedar planks. The roof was truncated.
The above gravures are HUPA HOUSE and HUPA MAN
RELIGION /CEREMONIES: Hupa religious practices are founded on the belief that ages ago the earth was inhabited by a race of preternaturals in human form. All ceremonials, and innumerable acts of everyday life, are attended by the muttered repetition of myths, usually quite brief, accounting for the origin of the myth or act.The principal ceremonies were the Jumping Dance and the White Deerskin Dance to guard the public heath and help crops.
QUOTES FROM "THE NORTH AMERICAN INDIAN": "The Hupa, a shoot from that wide-wandering stock, the Athapascan, are unique among California Indians in that they occupy a reservation which includes within its boundaries nearly all of the land that they once controlled."
The above gravures are HUPA WOMAN and WATCHING FOR SALMON
"In material culture the Hupa far surpass the Indians of central and northern California. We here pass into a specialized cultural area of northwestern California, which shows marked similarities to that of the North Pacific coast, with great stress laid on the acquisition of wealth as the necessary and only basis of rank. Woodworking becomes of importance, salmon is a food not less staple than acorns, slavery in a modified form is an institution, ceremonial life is highly developed."
The above gravures are HUPA PURSES AND MONEY and HUPA WOMAN SHAMAN
"With their high regard for wealth the Hupa had a system of valuation more exact than that of other California Indians, except the other tribes of the northwest area. The longer dentalia,"tinkyehit"(four piece), passed for five dollars each in early trade."Hiketukuthwe", shorter by a mere fraction of an inch, were worth about a third as much. "Chwolohit"(five piece) were equal to a dollar each, and "hostanhit" (six piece) were less than two inches long and valued at twenty-five to fifty cents each, according to the ability of the trader. The shells were strung on cords, point to point and base to base, and spirally wound with narrow strips of fish-skin. From the base of those at the ends of the strings a little tuft of red woodpecker-feathers protruded. As the strings were uniformly about two feet in length, it follows the the number of dentalia per string varied according to the size of the shells."
BASKET
32.3 cm dia.
Hupa orYurok, early 20th century
This basket was made using the half-twist overlay technique, a typical method employed by the peoples of the Klamath River area.
Many Hupa shamans were women, and among their neighbors, the Yurok and the Karok, as well as among the more distant Wiyot on the coast, male shamans were rare. Hupa shamans acquired the power to cure disease by dreaming and dancing. They were credited with the ability to inflict mysterious sickness by sorcery, and only they could relieve the victim of such magic.
Each summer a substantial structure of this kind is thrown across the river, the southern and the northern division of the tribe alternating. The weir remains in place until the spring freshets carry it away. A fisherman stands on each of several platforms erected below an equal number of openings in the weir, and lowers and draws his dip net at random. As the construction of a weir is a communal undertaking, the catch is divided each evening according to the requirements of the various families.
Because of the dearth of redwood in their territory, the Hupa purchased all their canoes from the neighboring Yurok.
As the run of spring salmon occurs at a season when the river is too high for the construction of a weir, they are taken in dip nets from platforms erected above favorable eddies.
The Jumping Dance was an annual ceremony for averting pestilence. The head dress worn by the dancers was a wide band of deerskin with rows of red woodpecker crests and a narrow edging of white deer hair sewn on it. A deerskin robe was worn as a kilt, and each performer displayed all the shells and beads he possessed or could borrow. In the right hand was carried a straw stuffed cylinder with a slit like opening from end to end, and object the significance of which is unknown to the modern Hupa.
This is an excellent example of the gala costume of Hupa women. The deerskin skirt is worn about the hips and meets in front, where the opening is covered by a similar garment. Both are fringed and heavily beaded, and the strands of the apron are ornamented with the shells of pine nuts.
DENTALIUM NECKLACE AND ELKHORN PURSES
Elk antler and dentalium shell beads
Hupa
Klamath River area, California, North America
Dentalium shells were imported from the Nootka of Vancouver Island, and were considered a great treasure among the Klamath River peoples.
Elders Corner
The elders of the Hoopa Valley Tribe have always played an integral role in the overall community atmosphere and wellness of the families of the valley. Historically the Hupa people considered all relatives a member of the family, and it was the role of the oldest people to care for the young children while the adults a nd older children performed the day-to-day activities that were required to make the family units flourish. Elders were responsible for passing on the rich oral history, language, and tradition to the younger generations. Many of the younger generations were taught to respect the advice and wisdom of the elders of our community, and that tradition continues today. In modern days the elders play a much similar role in our culture. They are looked to for advise in traditional matters that appear in our Tribal Court system, and in both economic and environmental development planning through a Cultural Committee. They still play a vital part in the individual
families throughout the valley in both caring for the young children as well as preparing them for young adulthood.
Minnie McWilliams
Hoopa Tribal member Minnie McWilliams, age 87 has been a lifetime resident of the Hoopa Valley and despite hardship, said her life has been very good. Minnie was born on January 1, 1916 to the late Ned and Louisa Jackson. She had 6 siblings- three brothers and three sisters, two of whom (Jimmy Jackson, and Charlotte Colegrove) are still living in Hoopa.
Despite being raised in Hoopa, Minnie still claims her Redwood Creek Tribe, from her mothers side. Minnie attended the Indian boarding school in Hoopa until she was 11 years old. She then moved to Riverside, California, where she attended high school at the Sherman Institute. Thats where Minnie became interested in cosmetology. She said she and her friends would always do each others hair in the beauty parlor at Sherman. Upon graduating high school, she took her board exam in Los Angeles. After working as a cosmetologist for several years, Minnie decided to come home to help take care of her father.
My father was blind, explained Minnie. We (brothers and sisters) used to take him to the doctor in Eureka to try to help him get his sight back. Soon after the move Minnie decided to go back to work. The Hoopa native went from making people look beautiful as a cosmetologist, to welding at a shipyard in Eureka. Minnie said welding isnt just a mans job, and she took great pride in her work. I would show off my work to some of the men there, said Minnie.
While working as a welder Minnie became pregnant and was forced to quit, something she did not want to do. Minnie moved back to Hoopa to take care of her daughter. She said she was staying at home almost all the way to the top of Bald Hill. When her daughter was only three months old, she grew very ill. Minnie took her to the hospital, but said it was too late. Her daughter had passed on.
The Hoopa elder had a total of eight children in her lifetime, but now has only one left- her son Arthur Jones, who was raised in Hoopa as well. I always wanted kids, said Minnie and now I have a lot of grand kids. It makes me happy visiting with them. The kind-hearted woman has nine grandchildren and seven great grandchildren, with two more on the way. Minnie, who was named after her aunt, was proud to say that one of her great-granddaughters is named after her.
Family was and is the most sacred thing in Minnies life. She spoke of when her mother Louisa, was still living. My mother was beautiful. She had long, curly hair and she always looked beautiful, Minnie described. Despite her fathers blindness, Minnie recalled his kind heart. She said he used to walk out of the shed when she was little, and he would cut kindling and wood and bring it into the house to keep the family warm.
Minnie also spoke of her grandmother, the late Mary Ann Jackson, a woman she described as a little woman with a lot of love. She also reminisced about a friend and classmate Ruby Jarnaghan, and the late Boots Masten.
Kindness is a perfect word to describe Minnie. She has even sent money to help feed children in need from other countries. If I see somebody that needs help, I help them, she said.
Traditional Village Sites
Tish-Tang
Fish-On
Hostler Field
Among the Wildlife
The pictures from this and all future issues will be uploaded to Yahoo..
This is mainly for those who get the digest version which doesn't have any pictures